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Chaim Soutine
Landscape of Cagnes
1923-24
60cm x 72cm
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Chaim Soutine
Nature Morte a la Raie
1924 81 x 100cm
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Chaim Soutine
Poultry
1924
110.5 x 81cm
Museum of Modern Art, New York
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Chaim Soutine
Boy in Blue
1924
92.5 x 73.5cm
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Chaim Soutine
Woman Knitting
1924-25
84 x 61cm
Norton Simon, Los Angeles
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Chaim Soutine
The Communicant
1925 81 x 48cm
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Chaim Soutine
Carcass of Beef
1925
138 x 108cm
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Chaim Soutine
Rabbit
1925-26
75 x 47cm
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Chaim Soutine
The Pastry Chef
1927
76.5 x 69cm
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Chaim Soutine
Portrait of a Boy
1928
92.1 x 65.1cm
National Gallery of Art, Washington
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Chaim Soutine
Portrait of Madame Castaing
1928
100 x 73cm
Metropolitan Museum of Art, New York
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Chaim Soutine
Small Place in the Town
1929
71 x 46.5cm
Art Institute of Chicago
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Chaim Soutine
Portrait of Maria Lani
1929
73 x 60cm
Museum of Modern Art, New York
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Chaim Soutine
Seated Choirboy
1930
81 x 45cm
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Chaim Soutine
Naked Woman
1933
46 x 27cm
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Chaim Soutine
The Salmon
1933
35 x 77.5cm
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Chaim Soutine
Chartres Cathedral
1933
92 x 50cm
Museum of Modern Art, New York
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Chaim Soutine
Portrait of a Man fgdfh
1935 56 x 33cm
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Chaim Soutine
The Chambermaid
1937
110 x 34cm
The Art Museum, Lucerne
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Chaim Soutine
Profile of a Woman
1937
47 x 28cm
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| Chaim Soutine
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Chaim Soutine Art Locations
Lithuanian 1893-1943
Soutine was born in Smilavichy near Minsk, Belarus (then part of the Russian Empire). He was the tenth of eleven children.
From 1910?C1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913, with his friends Pinchus Kremegne and Michel Kikoine, he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique.
For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to Leopold Zborowski, who was their art dealer. Zoborowski supported Soutine through the World War I, taking the struggling artist with him to Nice to escape the German bombing of Paris.
In 1923, the American collector Albert C. Barnes visited his studio and immediately bought sixty of Soutine's paintings.
Soutine once horrified his neighbours by keeping an animal carcass in his studio so that he could paint it (Carcass of Beef). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. In February 2006 this painting sold for £7.8 million to an anonymous buyer in London.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the exhibition of Independent Art held in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer. Soutine was interred in Cimeti??re du Montparnasse, Paris.
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